Wednesday, 29 February 2012

Great Pyramids of Giza

The Great Pyramid of Giza (called the Pyramid of Khufu and the Pyramid of Cheops) is the oldest and largest of the three pyramids in the Giza Necropolis bordering what is now El Giza, Egypt. The word pyramid is derived from the Greek words PYRAMIS and PYRAMIDOS. The meaning of the word Pryamis is obscure and may relate to the shape of a pyramid. The word Pyramidos has been translated as "Fire In The Middle" (From Stephen Mehler - The Land of Osiris Research Project). It is the oldest of the Seven Wonders of the Ancient World, and the only one to remain largely intact. Egyptologists believe that the pyramid was built as a tomb for fourth dynasty Egyptian Pharaoh Khufu (Cheops in Greek) over an approximately 20 year period concluding around 2560 BC. Initially at 146.5 metres (480.6 ft), the Great Pyramid was the tallest man-made structure in the world for over 3,800 years. Originally, the Great Pyramid was covered by casing stones that formed a smooth outer surface; what is seen today is the underlying core structure. Some of the casing stones that once covered the structure can still be seen around the base. There have been varying scientific and alternative theories about the Great Pyramid's construction techniques. Most accepted construction hypotheses are based on the idea that it was built by moving huge stones from a quarry and dragging and lifting them into place.


There are three known chambers inside the Great Pyramid. The lowest chamber is cut into the bedrock upon which the pyramid was built and was unfinished. The so-called Queen's Chamber and King's Chamber are higher up within the pyramid structure. The Great Pyramid of Giza is the only pyramid in Egypt known to contain both ascending and descending passages. The main part of the Giza complex is a setting of buildings that included two mortuary temples in honour of Khufu (one close to the pyramid and one near the Nile), three smaller pyramids for Khufu's wives, an even smaller "satellite" pyramid, a raised causeway connecting the two temples, and small mastaba tombs surrounding the pyramid for nobles.
It appears that the Great Pyramid was never finished since the top is flat, and not pointed, as it should be. It has a truncated summit which is coarse and uneven and measures about 30 square feet. Most pyramids were crowned with a top-stone that completed their structure. This pyramid does not currently have one and it appears that it never did. One of the earliest references to the missing top-stone (or capstone) is from Diodorus Siculus (60 BC). He tells us that in his day, when the Pyramid stood with its casing stones intact, the structure was "complete and without the least decay, and yet it lacked its apex stone". Since the top-stone could not have been dismantled without first demolishing the smooth casing-stones, so that the core masonry formed steps of approach to it, this statement of Diodorus supports the theory that the top-stone had never been added to the structure. Also it appears that between the different courses of stones there is a thin cement which is absent on the upper surface of the highest course. Why the pyramid was never finished remains a mystery.
What makes the Great Pyramid of Giza so unique? It is the only one to have a magnificent grand gallery in its ascending system. The purpose of this gallery still remains a mystery. Before the Great Pyramid came into existence its peculiar internal construction was unknown; after it no attempt was made to repeat it. It appears that the pyramids that came after it were a poor imitation and did not approach its magnificence. To quote Marsham Adams, the Oxford scholar "It is absolutely unique. No other building contains any structure bearing the least resemblance to the upper chambers. Herodotus, the Greek historian of the fifth century BC, regarded as the father of history wrote the earliest description in existence of the pyramids. When Heroduotus visited the period in 440 B.C., it was as old to him and his period is to us. He wrote that each of the pyramids four faces were still covered with highly polished limestone (casing stone). Also the joints were so fine that they could hardly be seen. To manufacture just two blocks with a tolerance of .010 inch and place them together with a gap of no more than .020 inch is a remarkable feat. The Great Pyramid had at one time over 100,000 similar casing stones. Did the ancient Egyptians have advanced technology?
Construction theories
Many alternatives, often contradictory, theories have been proposed regarding the pyramid's construction techniques. Many disagree on whether the blocks were dragged, lifted, or even rolled into place. The Greeks believed that slave labour was used, but modern discoveries made at nearby worker's camps associated with construction at Giza suggest it was built instead by tens of thousands of skilled workers. Verner posited that the labour was organized into a hierarchy, consisting of two gangs of 100,000 men, divided into five zaa or phyle of 20,000 men each, which may have been further divided according to the skills of the workers. One mystery of the pyramid's construction is its planning. John Romer suggests that they used the same method that had been used for earlier and later constructions, laying out parts of the plan on the ground at a 1 to 1 scale. He writes that "such a working diagram would also serve to generate the architecture of the pyramid with precision unmatched by any other means." He also argues for a 14 year time span for its construction.

Interior
From an entrance just above the base of the Great Pyramid, a cramped Ascending Passage climbs for 36 meters up through the solid stone core to a towering Grand Gallery. This climbs another 46 meters to reach the King's Chamber and an empty sarcophagus in the heart of this colossal pyramid. The enormous weight that bears down on the King's Chamber is dissipated by a series of ingenious stress-relieving chambers and massive granite beams built above it. The sarcophagus in the King's Chamber was fashioned from a single piece of red granite. The stark chamber was walled by huge blocks of the same stone. We will never know whether Khufu or anyone else was really entombed here. Despite efforts of the ancient Egyptians to seal the sacred chamber, it was probably violated and robbed even before the end of the Old Kingdom.

<-- The ascending passage.

Entrance
Today tourists enter the Great Pyramid via the Robbers' Tunnel dug by workmen employed by Caliph al-Ma'mun around AD 820. The tunnel is cut straight through the masonry of the pyramid for approximately 27 metres (89 ft), and then turns sharply left to encounter the blocking stones in the Ascending Passage. Unable to remove these stones, the workmen tunnelled up beside them through the softer limestone of the Pyramid until they reached the Ascending Passage. It is possible to enter the Descending Passage from this point, but access is usually forbidden.

Before you visit the site of the Giza Pyramids, you have to know the following

It is forbidden to climb the Pyramids. You are only allowed to climb up the stone steps that lead to the entrance, which is 55 feet above ground level.
t is strongly advisable to e Wear good walking shoes.
If you wish to take a car onto the site, you need to get a car parking ticket. 2 LE for a small car, 5 LE for minibuses, 10 LE for a coach.
The best time to go the Pyramids, is in the morning between 0800 and 1200. - or 156:00 to 17:00
If you wish to go inside the Great Pyramid, there is an extra ticket for this that will cost you 100 LE. You will find the ticket office for the entrance to the Great Pyramid in front of the north-eastern side of the Pyramid. Sometimes is quite difficult to get this ticket, as the amount is limited to a certain number of visitors. They sell only 300 tickets daily, and they are divided among morning and afternoon. They sell 150 at 0800, and then, at exactly 1300, the other 150.
If you wish to go inside Khafre's Pyramid, you will have to get an extra entrance ticket - 20 LE. In addition to that, they charge 10LE for cameras.
As for Menkaure's Pyramid, it is now closed for restoration. The Pyramids are opened on a rotational basis, usually it would last for a year, so that restoration work can be done.
If you want to get a camel or horse ride, the best place for this are the stables at the foot of the Pyramids plateau, it is cheap and safe.
In order to get rid of the vendors, simply say "No, thank you! " or "La Shukran" and they will go away Believe it or not, it works.
As for the street vendors Don't say the word "Emshi", like many of the guide books will advise you, as it simply means get lost, and you don't want to offend anyone in there , after all they are just trying to make a living.

-Prateek

Christ the Redeemer

Cristo Redentor or the statue of Christ the Redeemer at the peak of the Corcovado Mountain in the Tijuca Forest Park in Rio de Janeiro is an icon and a symbol for the city of Rio de Janeiro. Towering over the city at 130 feet tall, the statue weighs 635 tonnes and is considered the largest Art Deco statue in the world and the 5th largest statue of Jesus in the world. No wonder then that it has made it to the list of the New7 Wonders of the world with other such wondrous objects like the Taj Mahal and the Great Wall of China.
Although the concept of the statue was proposed as early as the mid-1850s, nothing came of it then and it wasn’t till 1921, when the proposal was brought up again and supported by the Catholic Circle of Rio, that the statue became a real possibility. The Circle The group organized an event called Semana do Monumento ("Monument Week") to attract donations and collect signatures to support the building of the statue. The donations came mostly from Brazilian Catholics. The designs considered for the "Statue of the Christ" included a representation of the Christian cross, a statue of Jesus with a globe in his hands, and a pedestal symbolizing the world. The statue of Christ the Redeemer with open arms, a symbol of peace was finally chosen.




Construction took nine years, from 1922 to 1931 and cost the equivalent of US$250,000 (which amounts to an equivalent of $3,257,463 in 2012). The monument was opened on October 12, 1931.
On July 7, 2007, Christ the Redeemer was named as one of the New 7 Wonders of the World in a list compiled by The New Open World Corporation.

During a violent electrical storm in 2008, the statue suffered some damage due to lightning. The Rio government took restorative measures to fix the damages and to repair the lightning rods on the statue to prevent such a mishap happening again.




The statue looks over the city of Rio and is an awe-inspiring and wonderful sight. The statue has become so popular that there are multiple references to it in media as well, notably in the extremely addictive game Angry Birds Rio, the movies Fast Five and The Twilight Saga: Breaking Dawn and in console games like H.A.W.X, Driver 2 and Call of Duty: Modern Warfare.
Majestic with his arms open wide, Christ the Redeemer is truly a wonder of the world.

-Anshuman

GREAT WALL OF CHAINA


                GREAT WALL OF CHINA
INTRODUCTION:-
                      The Great Wall of China is a series of fortifications running in general east to west through the entire northern part of China, which is made of stone, brick, tamped earth, wood, and other materials, built originally in part to protect the northern borders of the Chinese Empire or its prototypical states against intrusions by various nomadic groups or military incursions by various warlike peoples or forces. Other purposes of the Great Wall have included allowing for border control practices, such as check points allowing for the various imperial governments of China to tariff goods transported along the Silk Road, to regulate or encourage trade as well as generally to control immigration and emigration.   
                         
Figure 1:-THE GREAT WALL OF CHINA

 the defensive characteristics of the Great Wall were enhanced by the construction of watch towers, troop barracks, garrison stations, signaling capabilities through the means smoke or fire, and the fact that the path of the Great Wall also served as a transportation corridor. The Great Wall was built for defensive purposes, especially to stop attack from the north of China.   The Great Wall stretches from Shanhaiguan in the east, to Lop Lake in the west, along an arc that roughly delineates the southern edge of Inner Mongolia. The most comprehensive archaeological survey, using advanced technologies, has concluded that all the walls measure 8,851.8 km (5,500.3 mi). This is made up of 6,259.6 km (3,889.5 mi) sections of actual wall, 359.7 km (223.5 mi) of trenches and 2,232.5 km (1,387.2 mi) of natural defensive barriers such as hills and rivers.
Neil Armstrong (the Apollo astronaut) said that it could even be seen from space.

HISTORY OF THE GREAT WALL OF CHINA:-    The Great Wall of China was built over 2,000 years ago, by Qin Shi Huangdi, the first emperor of China during the Qin (Ch'in) Dynasty (221 B.C - 206 B.C.). In Chinese the wall is called "Wan-Li Qang-Qeng" which means 10,000-Li Long Wall (10,000 Li = about 5,000 km).
  After subjugating and uniting China from seven Warring States, the emperor connected and extended four old fortification walls along the north of China that originated about 700 B.C. (over 2500 years ago).    

NOTABLE AREAS:-
          Some of the following sections are in Beijing municipality, which were renovated and which are regularly visited by modern tourists today.
1)     "North Pass" of Juyongguan pass, known as the Badaling. When used by the Chinese to protect their land, this section of the wall has had many guards to defend China’s capital Beijing. Made of stone and bricks from the hills, this portion of the Great Wall is 7.8 meters (26 ft) high and 5 meters (16 ft) wide. 
2)  "West Pass" of Jiayuguan (pass). This fort is near the western edges of the Great Wall.
3)    "Pass" of Shanhaiguan. This fort is near the eastern edges of the Great Wall.
4)  South East of Jinshanling, is the MutianyuGreat Wall which winds along lofty, cragged mountains from the southeast to the northwest for approximately 2.25 kilometers (about 1.3 miles). It is connected with Juyongguan Pass to the west and Gubeikou to the east.
                      
                            Figure 2:-An area of the sections of the Great Wall at Jinshanling
5) Another notable section lies near the eastern extremity of the wall, where the first pass of the Great Wall was built on the Shanhaiguan(known as the “Number One Pass Under Heaven”).
6) Jiaoshan Great Wall is 3 km north of Shanhaiguan , the site of the first mountain of the Great Wall.
7) Jiumenkou is  15 km northeast from Shanhaiguan, which is the only portion of the wall that was built as a bridge.
                                                       

taj mahal


AS WE ARE TALKING ABOUT THE WONDERS OF WORLD, WE CANT DARE TO FORGET ABOUT 


“ THE TAJ MAHAL”..!  The Taj Mahal is a white Marble mausoleum located in Agra, India. It was built by Mughal emperor Shah Jahan in memory of his third wife, Mumtaz Mahal. The Taj Mahal is widely recognized as "the jewel of Muslim art in India and one of the universally admired masterpieces of the world's heritage."
Taj Mahal is the finest example of Mughal architecture, a style that combines elements from Persian, Turkish and Indian architectural styles.
In 1983, the Taj Mahal became a UNESCO World Heritage Site. While the white domed marble mausoleum is the most familiar component of the Taj Mahal, it is actually an integrated complex of structures. The construction began around 1632 and was completed around 1653, employing thousands of artisans and craftsmen. The construction of the Taj Mahal was entrusted to a board of architects under imperial supervision, including Abd ul-Karim Ma'mur Khan, Makramat Khan, and Ustad Ahmad Lahauri. Lahauri is generally considered to be the principal designer.[


Origin and inspiration
Main article: Origins and architecture of the Taj Mahal
In 1631, Shah Jahan, emperor during the Mughal empire's period of greatest prosperity, was grief-stricken when his third wife, Mumtaz Mahal, died during the birth of their 14th child, Gauhara Begum. Construction of the Taj Mahal began in 1632. The court chronicles of Shah Jahan's grief illustrate the love story traditionally held as an inspiration for Taj Mahal. The principal mausoleum was completed in 1648 and the surrounding buildings and garden were finished five years later. Emperor Shah Jahan himself described the Taj in these words:




Shah Jahan, who commissioned the Taj Mahal -"Shah jahan on a globe" from the Smithsonian Institution
Artistic depiction of Mumtaz Mahal

Taj Mahal site plan.
  1. The Moonlight Garden to the north of the Yamuna.
  2. Terrace area: Tomb, Mosque and Jawab.
  3. Charbagh (gardens).
  4. Gateway, attendant accommodations, and other tombs.
  5. Taj Ganji (bazaar)
Should guilty seek asylum here,
Like one pardoned, he becomes free from sin.
Should a sinner make his way to this mansion,
All his past sins are to be washed away.
The sight of this mansion creates sorrowing sighs;
And the sun and the moon shed tears from their eyes.
In this world this edifice has been made;
To display thereby the creator's glory.
The Taj Mahal incorporates and expands on design traditions of Persian architecture and earlier Mughal architecture. Specific inspiration came from successful Timurid and Mughal buildings including; the Gur-e Amir (the tomb of Timur, progenitor of the Mughal dynasty, in Samarkand), Humayun's Tomb, Itmad-Ud-Daulah's Tomb (sometimes called the Baby Taj), and Shah Jahan's own Jama Masjid in Delhi. While earlier Mughal buildings were primarily constructed of red sandstone, Shah Jahan promoted the use of white marble inlaid with semi-precious stones, and buildings under his patronage reached new levels of refinement.

Architecture

The tomb

The tomb is the central focus of the entire complex of the Taj Mahal. This large, white marble structure stands on a square plinth and consists of a symmetrical building with an iwan (an arch-shaped doorway) topped by a large dome and finial. Like most Mughal tombs, the basic elements are Persian in origin.
The base structure is essentially a large, multi-chambered cube with chamfered corners, forming an unequal octagon that is approximately 55 metres (180 ft) on each of the four long sides. On each of these sides, a huge pishtaq, or vaulted archway, frames the iwan with two similarly shaped, arched balconies stacked on either side. This motif of stacked pishtaqs is replicated on the chamfered corner areas, making the design completely symmetrical on all sides of the building. Four minarets frame the tomb, one at each corner of the plinth facing the chamfered corners. The main chamber houses the false sarcophagi of Mumtaz Mahal and Shah Jahan; the actual graves are at a lower level.
The marble dome that surmounts the tomb is the most spectacular feature. Its height of around 35 metres (115 ft) is about the same as the length of the base, and is accentuated as it sits on a cylindrical "drum" which is roughly 7 metres (23 ft) high. Because of its shape, the dome is often called an onion dome or amrud (guava dome). The top is decorated with a lotus design, which also serves to accentuate its height. The shape of the dome is emphasised by four smaller domed chattris (kiosks) placed at its corners, which replicate the onion shape of the main dome. Their columned bases open through the roof of the tomb and provide light to the interior. Tall decorative spires (guldastas) extend from edges of base walls, and provide visual emphasis to the height of the dome. The lotus motif is repeated on both the chattris and guldastas. The dome and chattris are topped by a gilded finial, which mixes traditional Persian and Hindustani decorative elements.
The main finial was originally made of gold but was replaced by a copy made of gilded bronze in the early 19th century. This feature provides a clear example of integration of traditional Persian and Hindu decorative elements. The finial is topped by a moon, a typical Islamic motif whose horns point heavenward. Because of its placement on the main spire, the horns of the moon and the finial point combine to create a trident shape, reminiscent of traditional Hindu symbols of Shiva.
The minarets, which are each more than 40 metres (130 ft) tall, display the designer's penchant for symmetry. They
The Taj Mahal complex is bounded on three sides by crenellated red sandstone walls, with the river-facing side left open. Outside the walls are several additional mausoleums, including those of Shah Jahan's other wives, and a larger tomb for Mumtaz's favourite servant. These structures, composed primarily of red sandstone, are typical of the smaller Mughal tombs of the era. The garden-facing inner sides of the wall are fronted by columned arcades, a feature typical of Hindu temples which was later incorporated into Mughal mosques. The wall is interspersed with domed chattris, and small buildings that may have been viewing areas or watch towers like the Music House, which is now used as a museum.
D3The main gateway (darwaza) is a monumental structure built primarily of marble which is reminiscent of Mughal architecture of earlier emperors. Its archways mirror the shape of tomb's archways, and its pishtaq arches incorporate the calligraphy that decorates the tomb. It utilises bas-relief and pietra dura inlaid decorations with floral motifs. The vaulted ceilings and walls have elaborate geometric designs, like those found in the other sandstone buildings of the complex.

Tourism

The Taj Mahal attracts between 2 million and 4 million visitors annually, including more than 200,000 from overseas. A dual- pricing system is in place, with a significantly lower entrance fee for Indian citizens than for foreigners. Most tourists visit in the cooler months of October, November and February. Polluting traffic is not allowed near the complex and tourists must either walk from parking lots or catch an electric bus. The Khawasspuras (northern courtyards) are currently being restored for use as a new visitor center.
The small town to the south of the Taj, known as Taj Ganji or Mumtazabad, was originally constructed with caravanserais, bazaars and markets to serve the needs of visitors and workmen. Lists of recommended travel destinations often feature the Taj Mahal, which also appears in several listings of seven wonders of the modern world, including the recently announced New Seven Wonders of the World, a recent poll with 100 million votes.
The grounds are open from 6 a.m. to 7 p.m. weekdays, except for Friday when the complex is open for prayers at the mosque between 12 p.m. and 2 p.m. The complex is open for night viewing on the day of the full moon and two days before and after, excluding Fridays and the month of Ramadan. For security reasons only five items—water in transparent bottles, small video cameras, still cameras, mobile phones and small ladies' purses—are allowed
At the far end of the complex, there are two grand red sandstone buildings that are open to the sides of the tomb. Their backs parallel the western and eastern walls, and the two buildings are precise mirror images of each other. The western building is a mosque and the other is the jawab (answer), whose primary purpose was architectural balance, although it may have been used as a guesthouse. The distinctions between these two buildings include the lack of mihrab (a niche in a mosque's wall facing Mecca) in the jawab and that the floors of jawab have a geometric design, while the mosque floor was laid with outlines of 569 prayer rugs in black marble. The mosque's basic design of a long hall surmounted by three domes is similar to others built by Shah Jahan, particularly to his Masjid-Jahan Numa, or Jama Masjid, Delhi. The Mughal mosques of this period divide the sanctuary hall into three areas, with a main sanctuary and slightly smaller sanctuaries on either side. At the Taj Mahal, each sanctuary opens onto an enormous vaulting dome. These outlying buildings were completed in 1643. Inside the taj mahal.

Colosseum

                                           
                                                          COLOSSEUM


The Colosseum, or the Coliseum, originally the Flavian Amphitheatre (Latin: Amphitheatrum Flavium, Italian Anfiteatro Flavio or Colosseo), is an elliptical amphitheater in the centre of the city of Rome, Italy, the largest ever built in the Roman Empire. It is considered one of the greatest works of Roman architecture and Roman engineering.
Occupying a site just east of the Roman Forum, its construction started in 72 AD under the emperor Vespasian and was completed in 80 AD under Titus, with further modifications being made during Domitian's reign (81–96). The name "Amphitheatrum Flavium" derives from both Vespasian's and Titus's family name (Flavius, from the gens Flavia).
Capable of seating 50,000 spectators, the Colosseum was used for gladiatorial contests and public spectacles such as mock sea battles, animal hunts, executions, re-enactments of famous battles, and dramas based on Classical mythology. The building ceased to be used for entertainment in the early medieval era. It was later reused for such purposes as housing, workshops, quarters for a religious order, a fortress, a quarry, and a Christian shrine.
Although in the 21st century it stays partially ruined because of damage caused by devastating earthquakes and stone-robbers, the Colosseum is an iconic symbol of Imperial Rome. It is one of Rome's most popular tourist attractions and still has close connections with the Roman Catholic Church, as each Good Friday the Pope leads a torchlit "Way of the Cross" procession that starts in the area around the Colosseum.
The Colosseum is also depicted on the Italian version of the five-cent euro coin.



History of the Colosseum


History of the Colosseum - Facts and Information
The content of this article provides interesting facts and information relating to the History of the Colosseum. Our perception is perhaps that gladiatorial combat started with the Colosseum which able to stage elaborate and organized combats between hundreds of gladiators using various fighting styles. This perception is incorrect. Gladiatorial games started in Rome over 300 years before the Colosseum was built. The Colosseum did not exist during the lives of many of the most famous Romans such as the dictator Julius Caesar and Mark Antony. Neither had the Colosseum been built during the reigns of emperors such as Augustus, Tiberius, Nero, Caligula or Claudius. We have to look back before the Roman Colosseum was actually built to gain an insight into the history of the Colosseum and why the terrifying Arena of Death was ever built. The scale of the Gladiatorial Games increased from just a small number of participants to the massive numbers of gladiators seen in the spectacles of Roman Colosseum watched by up to 80,000 people. The History of the Colosseum.

History of the Colosseum - The First Gladiatorial Fight
The History of the Colosseum began in Rome when the first recorded gladiatorial fight was staged in 264AD. Decimus Junius Brutus Scaeva put on a gladiatorial combat to honor the memory of his deceased father who was a consul named D. Junius Brutus Pera. Three pairs of slaves, selected from among 22 prisoners of war, were chosen to fight. The first gladiatorial fight took place in the Forum Boarium, a cattle market, situated near the Tiber between the Capitoline, the Palatine and Aventine hills. As this was the funeral of a prominent aristocrat and held in a public space, the event was likely to have drawn a large crowd. This first Gladiatorial combat was a clever idea as it also brought political prestige to their family¹s name. So the history of gladiatorial combat and therefore the Colosseum is related to a funeral. The History of the Colosseum.    

History of the Colosseum - The Roman Funeral
Why does the History of the Colosseum and gladiatorial combat relate to the Roman funeral, what was the connection? The religion of the Romans revolved around the worship of various gods and goddesses and their belief in the afterlife. Romans believed that human sacrifice at the dead person's funeral would appease the pagan gods and ensure a satisfactory entrance into the afterlife. Earlier customs of sacrificing prisoners on the graves of warriors or aristocrats were followed by Romans. Ceremonies connected with the dead lasted for nine days after the funeral, at the end of which time a sacrifice was performed. The Romans believed that "souls of the dead were propitiated by human blood..." Preparation for Roman funeral rites involved captives or slaves being bought, trained to kill and then sacrificed during the funeral rituals. This funereal ritual, or sacrificial ceremony, was called a munus - a duty paid to a dead ancestor by his descendants, with the intention of keeping alive his memory. At these ceremonies slaves or servants attended the funeral dressed as Pluto or Charon who were the gods of the dead. The god Charon ferried the dead across the Styx and an attendant, playing the role of Charon, symbolically carried away the bodies of the dead gladiators during the religious ceremonies. This symbolism was transferred to the Roman Colosseum when dead gladiators were escorted by a figure depicting Charon from the arena. The History of the Colosseum.

Origin and History of the Colosseum - The Rise of the Gladiator Games
The first gladiator fight was so successful that Roman aristocrats soon copied the idea. These funeral games, or munera, were held annually or every five years for the purpose of keeping the dead person's memory alive. The events grew bigger and more elaborate and at the funeral of P. Licinius Crassus, who had been Pontifex Maximus one hundred and twenty gladiators fought and funeral games were celebrated for three days; at the end of which a public banquet was given in the forum. Prominent Roman families competed against each other to produce the best games. What had started with Decimus Junius Brutus Scaeva organising three matches as funeral games transformed into public performances. Those organized by Julius Caesar, on the death of his daughter Julia, featured 320 paired gladiator matches. The History of the Colosseum.

Origin, History of the Wooden Arenas and the Concept of the Colosseum
The history and concept of the Colosseum grew from the custom of funeral games. The funeral games were organized as public events by wealthy Roman aristocrats and Patricians. The Gladiator games were popular with the 'mob'. At first gladiator games, or combats, were held in small wooden arenas. The word “arena” means sand, a reference to the thick layer of sand on the floor for the purpose of soaking up the blood. But as the popularity of the games grew large amphitheatres were built to house the games. The amphitheatres were round or oval in shape. Their design was taken from joining two half circle wooden theatres together (the word "amphi" means 'both sides').

History of the First Stone Amphitheatre in Rome
The most important amphitheatre, prior to the Colosseum, was the first stone built amphitheatre in Rome which was called the Amphitheater of Statilius Taurus. It was built in 29 BC, on the Campus Martius, by Consul Titus Statilius Taurus in the time of the Emperor Augustus. This amphitheatre was quite small and in order to placate the plebs the Emperor Nero built a much bigger, wooden, amphitheatre called the Amphitheatrum Neronis in 57AD. Both of these amphitheatres were completely destroyed in 64AD due to the Great Fire of Rome.

Origin and History of the Colosseum - From Religious to Political Events
Initially the provision of Gladiatorial Games was seen as a method to please the Roman gods and avert Rome from disaster. The Romans who were responsible for staging such events grew in popularity, so the 'games' became political events by which prominent Romans could gain popularity with the mob. By the first century A.D. providing gladiatorial games even became a requirement of some public offices. It was not long before the concept of a permanent stone arena was born which would become known as the Colosseum. The History of the Colosseum.

History of the Colosseum - Vespasian and the Flavian Amphitheatre (the Colosseum)
The terrible reign of the Emperor Nero and the burning of Rome led to Civil War. The turmoil ended when Vespasian became emperor. Vespasian founded the Flavian dynasty, so called because all of the Emperors of the Flavian dynasty bore the name Flavius. After the death of Nero morale and the confidence of Roman citizens was at an all time low. Vespasian had to get support back from the people. His idea was to demolish the palace of Nero and construct a permanent arena designed as a massive amphitheatre for housing free gladiator games and other entertainment for the amusement of the 'mob', the Plebs. The palace of Nero was called the Domus Aurea (Latin for "Golden House") and was a large landscaped portico villa. The construction of the 'Flavian Amphitheatre' started in c70AD.

History of the Colosseum - The Flavian Amphitheatre is Called the Colosseum
The Colosseum was originally called the the Flavian Amphitheatre. The original name of the Flavian Amphitheatre was given due to it being built by Titus Flavius Vespasianus (Emperor Vespasian) who founded the Flavian dynasty. It was soon given the name Colosseum which was taken from the Latin word 'colosseus' meaning colossal. This was in reference to the gigantic statue of the Emperor Nero which had been previously erected near the site of the Colosseum. This statue of Nero, believed to have been cast in bronze, measured 100 to 120 Roman feet (37m) high and had become a landmark in the centre of the city of Rome. The History of the Colosseum.

History of the Colosseum - The Construction of the Colosseum 
The Colosseum would become a symbol of the might, the wealth and the power of the Roman Empire. Construction started in c70AD and was financed from the proceeds gained from the Roman sacking of Jerusalem. The successful campaign against Judea was ordered by Vespasian and led by his son, Titus. The Colosseum took less than 10 years to build, a remarkable achievement for the excellent engineers and their famous engineering skills. The architecture of the Roman Colosseum illustrates their use of one of the Romans most famous inventions - concrete. The Emperor Vespasian died on 23 June 79 and never saw the completed Colosseum. In A.D. 81 Emperor Titus dedicated the Colosseum in the city of Rome. The History of the Colosseum.

History of the Colosseum and the Roman Emperors
Many Roman Emperors enjoyed the spectacles that the Colosseum had to offer and many of the gladiatorial games were financed by the emperors themselves. The history of the bloody arena continues through the reigns of various emperors, the emergence of the new Christian religion, the horror stories of the deaths of Christian martyrs in the Colosseum, the Gladiator fights and the killing of thousands of exotic animals in Ancient Rome. There was even an Emperor who took great delight in participating in the gladiator games held at the Colosseum - the Emperor Commodus. Commodus was the Emperor featured in the Russell Crowe movie Gladiator. The Roman Emperors and the Colosseum played a huge part in the history of the Persecution of the Christians.

History of the Colosseum - Telemachus and the End of the Gladiatorial Games
The Gladiatorial games at the Colosseum ended during the reign of the Emperor Honorius.  Stilicho had defeated the Goths at Verona in June 403, it was the last Roman victory, and it was celebrated by the last Roman triumph followed by Gladiatorial games in the Colosseum. In the midst of the bloodshed a voice was heard bidding it to cease in the name of Christ, and between the swords there was seen standing a monk holding up his hand and keeping back the blows. There was a shout of rage, and he was stoned to death by the outraged 'mob' and killed.  It was found that he was an Egyptian monk named Telemachus. The death of Telemachus put an to gladiator combats. Chariot races and games went on but the terrible sports of death and blood were ended for ever. The last known gladiatorial fight in the Roman Colosseum therefore took place during the reign of Honorius. The Emperor Honorius, finally decreed the end of gladiatorial contests in 399 AD. The last known gladiator competition in the city of Rome occurred on January 1, 404 AD. The Sack of Rome occurred on August 24, 410 when the city was attacked by the Visigoths, led by Alaric I. The Roman capital had already been moved to the Italian city of Ravenna by Honorius, after the Visigoths entered Italy. The Visigoths destroyed many of the aqueducts leading to Rome. Without a fresh supply of water the city could no longer function. The Romans fled from the city - the glory days of Rome were finished. The History of the Colosseum.

Modern History of the Colosseum
The History of the Colosseum moves on to the amphitheatre falling into decline. The outer walls were stripped of marble and even the iron cramps were removed and used to make weapons (the holes left in the Colosseum can be seen today). The Colosseum had various uses from housing vagrants to providing shelter to animals. Uses included housing, workshops, quarters for a religious order, a fortress, a quarry and as a Christian shrine. Today the glory days of the Colosseum have returned - the number of visitors and tourists to the Colosseum is estimated at over 5 million per year, all interested in the terrifying history of the Colosseum.

Purpose of the Colosseum


History, Facts and Information about the Purpose of the Colosseum
The content of this article provides interesting history, facts and information about Purpose of the Colosseum. Why was the Roman Colosseum built, what was the purpose of the Roman Colosseum? 

Purpose of the Colosseum
The purpose of the Roman Colosseum was as follows:

Purpose 1: To provide a permanent purpose-built arena in the centre of Ancient Rome for staging various forms of entertainment for the Ancient Romans - a gift to Roman Citizens

Purpose 2: To create a massive, breath-taking structure conveying the wealth, might and power of Rome

Purpose 3: To seat up to 80,000 Romans, each with an unobstructed view, creating a diversion for unemployed and unruly Plebs

Purpose 4: To provide a showcase for exotic, wild animals taken from all corners of the Roman Empire, once again to convey the extent of Rome's conquests of different countries

Purpose 5: To ensure the support and popularity of the Emperors Vespasian and Titus (members of the Flavian dynasty of emperors) amongst the Plebs (the 'Mob')

Purpose 6: To utilize and showcase the latest Roman engineering and building techniques, including a labyrinth of tunnels under the arena containing 32 animal pens and lift systems operated by ropes and pulleys to facilitate the fast movement of animals, gladiators, prisoners and stage scenery in and out of the Colosseum arena

Purpose 7: To stage reconstructions of famous Roman battle victories, including sea battles requiring the arena to be flooded, encouraging Roman patriotism

Purpose 8: To provide advanced crowd control features, such as 76 separate entrances, to ensure the massive crowds who flocked to the Gladiator games were kept in order

Concept of the Colosseum
The concept of the Flavian Amphitheatre, as it was first called, grew from the custom of wealthy Romans holding funeral games to honor the dead. Ancient Romans believed that human sacrifice at the dead person's funeral would appease the pagan gods and ensure a satisfactory entrance into the afterlife. The funeral games were organised and paid for by wealthy Roman aristocrats and Patricians as public events. Gladiator combats, were at first held in small wooden arenas. As the popularity of the games grew large amphitheatres were built to house the games. The amphitheatres were round or oval in shape. This design was taken from joining two half-circle wooden theatres together (the word "amphi" means 'both sides'). The wealthy Roman patricians who were responsible for staging such events grew in popularity, so they became political events by which prominent Romans could gain popularity with the mob. Eventually the provision of the Gladiatorial Games were seen as a method to please the Roman gods and goddesses and avert Rome from disaster. By the first century providing gladiator games became a requirement of some of the major public offices and it was not long before the concept of the permanent stone arena was born



Design of the Colosseum


History, Facts and Information about Design of the Colosseum
The content of this article provides interesting history, facts and information about Design of the Colosseum. The design of the Colosseum was created to strike awe into anyone who saw this great building. It was a symbol of the power of Rome and its emperors. Its classical design features, reminiscent of classical Greek architecture was meant to convey that Rome was also a great and civilised nation...

'State of the Art' Design of the Colosseum
The Design of the Colosseum applied the latest in Roman arts, engineering, architecture and other creative endeavours. The invention of concrete enabled this massive building to be built quickly, efficiently and to great effect. All of this was done to the highest artistic standard and in a highly skilled manner.

Design of the Colosseum - for Purpose and Effect
The plan and design of the Colosseum was created for specific roles and effects. Its main role was to provide a permanent purpose-built arena in the centre of Ancient Rome for staging various forms of entertainment for the Ancient Romans. The Colosseum was the largest amphitheatre in the Roman world, seating up to 80,000 Romans. The design of the massive, breath-taking structure conveyed the culture, wealth, might and power of the city of Rome and the Roman Empire.

Classical Design of the Colosseum
The Classical Design of the Colosseum is reflected in the rows of arches at each of the levels. The first level consisted of 23 ft high and 14 ft wide Doric "order" or style arches, the second level was designed with 21 ft high and 14 ft wide Ionic arches and the third level 21 ft high and 14 ft wide Corinthian style arches. See Roman Arches for a full description of these designs and styles. The design of the Colosseum displays a natural progression from sturdiest and plainest arches (Doric) at the bottom, to slenderest and richest arches (Corinthian) at the top.


Design of the Colosseum
The Roman Colosseum included a design feature of a retractable awning called the Velarium which provided cover and shade to the spectators. The Design of the Colosseum was later extended to incorporate a hypogeum consisting of a two-level subterranean network of tunnels and vertical shafts providing instant access to the arena for animals and scenery.
side view of The Colosseum





                                                            design  pattern of Colosseum

Dimensions of the Colosseum

History, Facts and Information about Dimensions of the Colosseum
The content of this article provides interesting history, facts and information about the dimensions of the great Flavian Amphitheatre. The dimensions detailed include the height, width, length and circumference of the Roman Colosseum.

Building the Colosseum

Dimensions of the Colosseum
The Dimensions are as follows:







Dimensions
Shape of the Roman Colosseum
Oval
Capacity
Max: 80,000 spectators
Area covered
6 acres
Number of Entrances
76 entrances were numbered but there were an additional four grand entrances which were not numbered
Dimensions: Height
50 metres high (187 ft), equivalent to a 12 storey building
Dimensions: Length
189 metres (615 ft) long
Dimensions: Width
156 metres 510 ft wide
Dimensions: Outer Circumference
The outer circumference measures 545 metres (1,788 ft)
Dimensions: Centre Arena
The center arena was 287 ft long and 180 ft wide. The arena was covered with 15cm of sand
Dimensions of Arena Wall
15 ft high
Vaults
Vaults span between 80 radial walls to support tiers of seating and for passageways and stairs.
The Hypogeum (meaning underground)
The hypogeum consisted of two-level subterranean network of tunnels and 32 animal pens. There were 80 vertical shafts provided instant access to the arena for animals and scenery. Large hinged platforms, called hegmata provided access for large animals
Trap Doors in Arena
36
Retractable Awning - the Velarium
Provided cover and shade:
  • 3  stone brackets in each of the 80 bays
  • Brackets supported 240 wooden masts on which canvas awnings were hung
Drains
Drains were built 8m (26ft) underneath the structure
Foundations
  • Foundations under the outer walls and seating were 12-13m (39-42ft) deep
  • Foundations under the inner ellipse of the arena were  4m (13ft) deep
Seating
40cm width per spectator and 70cm leg room
Marble used
Approx 100,000 cubic metres
Rows of Seats
60 -80 Rows of seats
Dimensions of the Different levels of the Colosseum
Level 1 - Ground Level
The first level is 34 ft high and the Doric arches are 23 ft high and 14 ft wide.  
Level 2
The second level, in the Ionic "order" or style, is 38 ft high and the arches measure 21 ft high and 14 ft wide.
Level 3
The third level, in the Corinthian style, is 37 ft high with the arches being 21 ft high and 14 ft wide.
Level 4
The fourth or top level is 45 ft high and had no arches.

Building the Colosseum

History, Facts and Information about Building the Colosseum
The content of this article provides interesting history, facts and information about Building the Colosseum. The vision of Vespasian and his sons to build the greatest arena ever seen in the Roman world took less than 10 years! How was this monumental structure built so quickly? Who built the Roman Colosseum and why was the Roman Colosseum built?

Building the Colosseum - Why was the Roman Colosseum built?
The decision which led to building the Colosseum was made by the Vespasian who was emperor of Rome from 1 July 69 – 23 June 79 AD. His rule quickly followed the reign of the infamous Nero. During the rule of Nero the Great Fire of Rome of 64AD wrecked the city. Nero appropriated prime land in the city and built a fabulous palace with a lake and gardens, it was called the Domus Aurea (Latin for "Golden House"). A colossal statue of Nero measuring 100 - 120 Roman feet (37m) high was erected on the site and had become a landmark in the centre of the city of Rome. During the burning of Rome the main stone built arena had been destroyed (the Amphitheater of Statilius Taurus) together with the wooden, amphitheatre called the Amphitheatrum Neronis which had been commissioned by Nero to placate the 'plebs' before the great fire and built in 57AD. After the death of Nero morale and the confidence of Roman citizens was at an all time low. Vespasian had to get support back from the people and assure the popularity of the Flavian family. His idea was to demolish the palace of Nero and construct a permanent arena for housing free gladiator games and other entertainment for the amusement of the 'mob'. The magnificence of the building was to convey the Glory of Rome.

Building the Colosseum - When was the Roman Colosseum built?
The building of the Roman Colosseum began between 73-75 A.D. and was almost completed in 79AD when Vespasian died. Vespasian's older son Titus saw the completion of building the Colosseum and the inauguration games in A.D. 81.

Building the Colosseum - Additions to the Colosseum
Vespasian's second son the Emperor Domitian added the top tier of the Colosseum and a vast network of rooms, cells, tunnels and passages under the Roman Colosseum called the Hypogeum.

Building the Colosseum - How much did the Roman Colosseum cost?
No one knows exactly how much the building of the Colosseum cost. But in A.D. 70 Titus had sacked the city of Jerusalem. The fabulous treasures of Jerusalem paid for the building of the Colosseum, and no expense was spared in the project.

Building the Colosseum - The Building Project
The design of the Roman Colosseum applied the latest in Roman arts, engineering, architecture and other creative endeavours. The invention of concrete enabled this massive building to be built quickly, efficiently and to great effect. All of this was done to the highest artistic standard and in a highly skilled manner.

Building the Colosseum - Who built the Roman Colosseum?
An estimated 100,000 prisoners were bought back to Rome as slaves after the Jewish War. Vespasian had a limitless work force. In the building of the Colosseum the slaves undertook the manual labor such as working in the quarries at Tivoli where the travertine was quarried. Slaves would also have been used to lift and transport the heavy stones 20 miles from Tivoli to Rome. Teams of professional Roman builders, engineers, artists, painters and decorators undertook the skilled tasks necessary for building the Colosseum.

Building the Colosseum - The Invention of Concrete and the Vaulted Arch
Roman architecture and buildings, such as the Colosseum, were strongly influenced by two of their great inventions - concrete and vaulted arches. Concrete was a a recent invention when the Colosseum was built and the Romans were still learning how to use it. As concrete was so new they did not know how strong it was or long it would last. The Romans cautiously combined concrete together with stone. Concrete was made by mixing a strong volcanic material ( called pazzolana ) with rubble, sand and a mixture of limes. The Colosseum had four tiers. The ceilings of the passages and corridors which circled the arena on each tier consisted of vaulted arches made of concrete but the supports they rested on were made of strong, heavy limestone. The Vaulted arches made the  ceilings much stronger than a flat ceiling would have been. Vaulted arches made of concrete added strength to the building without adding excessive weight. Without concrete and vaulted arches, the Colosseum could not have been built.

Building Techniques used in the Colosseum
The timescale was tight - the Flavian family wanted the amphitheatre built as quickly as possible. Hundreds of skilled stonemasons were required to complete the building. The Romans used a new building technique - standardized parts. Stairs and seats were constructed off-site. The stairs and seats were all built to the same size and were made to be interchangeable. They were made in workshops and then brought to the amphitheatre to be fitted by teams experienced in this work.

What materials were used in building the Colosseum?
The materials used in the building were as follows:
Travertine limestone
The Travertine limestone was quarried in Tivoli, 20 miles from Rome, and was used for the main pillars, the ground floor and the external wall
The outer wall is estimated to have required over 100,000 cubic meters (3,531,466 ft) of travertine stone which were set, without mortar, and held together by 300 tons of iron clampsIt has been calculated that 300 tons of metal were used just for the clampsTuff or Tufo - a porous stone used in the preparation of cementTuff, or Tufo, was used for the minor pillars and radial walls
Cement
Cement was used for the vaulted arches
Tiles
Tiles were used for the floors and the walls
Bricks
Bricks were used in walls
MarbleUsed for the seating, statues and ornaments, drinking fountains and as a covering to the outside walls
Lead and terra-cotta pipes for the Water and Sewer system
Building the Colosseum - Design and Dimensions
The Design of the Colosseum was constructed according to specific plans and dimensions. The Colosseum is an entirely free-standing structure, oval in shape, 615 ft long, 510 ft wide, 187 ft high and had a base area of 6 acres. These are detailed in Dimensions of the Colosseum. It was a symbol of the power of Rome and its emperors. Its classical design features which were reminiscent of classical Greek architecture was meant to convey that Rome was also a great and civilised nation.
Building the Colosseum - Crowd Control
The Roman architects and builders had to design the Colosseum to provide the biggest arena in the world capable of holding between 50,000 - 80,000 people. Just one series of games might last for 100 consecutive days. Attention had to paid towards crowd control. The Roman architects therefore devised an ingenious system of entrances, corridors, and staircases that allowed the crowds to enter and exit the Colosseum quickly and easily. There were 80 separate entrance arches - see Colosseum Entrances and Exits. By using so many separate entrances the architect solved the problem of crowd control - the Colosseum could be cleared in less than 10 minutes.



























Facts about the Colosseum

History, Facts and Information about Facts about the Colosseum
The content of this article provides interesting history, facts and information about Facts about the Colosseum.

Facts about the Colosseum
The following Facts about the Colosseum provide short facts and information about this Ancient Roman arena of Death.
Facts about the Roman Colosseum
Fact 1
When it was first built it was originally called the Flavian Amphitheatre, after the Flavian dynasty of Emperors including VespasianTitus and Domitian.
 
Fact 2
The name 'Colosseum' is derived from the Latin word 'colosseus' meaning colossal. This was in reference to the gigantic statue of the Emperor Nero which had been previously erected near the site of the Colosseum.
 
Fact 3
The great amphitheatre covers and area of 6 acres
Fact 4
Entrance to the games was free. The massive amphitheatre had a capacity estimated at between 50,000 and 80,000 Romans
 
Fact 5
The outer circumference measures 545 metres (1,788 ft). It is 50 metres high (187 ft), 189 metres (615 ft) long and 156 metres 510 ft wide. Dimensions of the Colosseum
 
Fact 6
The area beneath the Colosseum was called the Hypogeum (meaning underground). The hypogeum consisted of two-level subterranean network of tunnels and 32 animal pens. It had 80 vertical shafts which provided instant access to the arena for animals and scenery.
 
Fact 7
The Emperor Domitian, the younger son of Vespasian added the hypogeum and also a gallery at the top of the Colosseum to increase its seating capacity.
 
Fact 8
The Colosseum is located in the centre of the city of Rome, Italy (Piazzale del Colosseo, Rome). The absolute location is 41 degrees latitude and 12 degrees longitude.
 
Fact 9
There were 36 trap doors in Arena allowing for elaborate special effects
Fact 10
The animals displayed and killed at the theatre were transported from every corner of the Roman Empire reflecting the scale and scope of the Roman provinces. Wild Animals at the Colosseum
 
Fact 11
The wild and exotic animals which included lions, tigers, hyenas, hippos, rhino's, crocodiles, ostriches, antelopes, bears and zebras
 
Fact 12
There were over 20 different types of Gladiators
Fact 13
The Roman Colosseum was used for staging various events including gladiator fights, wild animal displays, theatrical entertainment, executions, religious ceremonies, mock sea battles and re-playing famous Roman victories. 
 
Fact 14
The Colosseum was built for several reasons:
  • As a gift to Roman Citizens, increasing the popularity of the Flavian dynasty
  • Staging various forms of entertainment in a purpose built stone amphitheatre, creating a diversion for unemployed and unruly Plebs
  • To utilize and showcase the latest Roman engineering techniques demonstrating to the world the power of Rome
Fact 15
The emperor took up a prominent position in the imperial box was called the pulvinar which was located on the podium (meaning place of honor) which was like a terrace and about 15ft wide astride the centre of the minor axis of the arena on the north side. Seating at the Colosseum
 
Fact 16
The Flavian Amphitheatre was built of travertine on the outside and tufa and brick in the interior. The main pedestals were built of marble blocks.
 
Fact 17
In the building of the Colosseum the slaves undertook the manual labor and teams of professional Roman builders, engineers and decorators undertook the skilled tasks.
 
Fact 18
The Colosseum consisted of four floors. The first three storeys had high, arched entrances designed with tiers of Ionic, Doric and Corinthian columns.
 
Fact 19
A Retractable Awning called the Velarium at the Roman Colosseum provided cover and shade. Brackets supported 240 wooden masts on which canvas awnings were hung.
 
Fact 20
There were 76 entrances which were numbered but there were an additional four grand entrances which were not numbered. Colosseum Entrances and Exits
 
Fact 21
Tickets were distributed for the shows, each one marked with a seat number, tier number and entrance number. The inaugural games at the Colosseum lasted more than 100 days.
 
Fact 22
At the end of the day the gladiators who had been killed were dragged through the Porta Libitinensis (Gate of Death) to the Spoliarium where the body was stripped and the weapons and armor given to the dead gladiator’s lanista.
 
Fact 23
The arena was 287 ft long and 180 ft wide. The arena was covered with 15cm of sand.
 
Fact 24
There were various entrances/ exits from the arena. The Porta Sanavivaria was the Gate of Life where those who had been defeated but spared would exit,  the Porta Libitina was the Gate of Death or Executions and the Porta Triumphalis where the victors would exit the arena.
 
Fact 25
The bisellium was a richly ornamented seat of honor at the games. It was so called because there was room for two persons upon it, although only one sat there, usually the Emperor.
 
Fact 26
42 Roman Emperors witnessed the carnage at the amphitheatre
Fact 27
An estimated 700,000 people died in the bloody arena
Fact 28
Executions of Christians or Criminals provided popular midday entertainment.
Fact 29
As many as 5000 animals were slaughtered in one day - wild animals were killed to the point of extinction. See Wild Animals at the Colosseum
 
Fact 30
The massive Flavian Amphitheatre took less than 10 years to build
Facts about the Roman Colosseum

Beneath the Colosseum


History, Facts and Information about Beneath the Colosseum
The content of this article provides interesting history, facts and information about life Beneath the Colosseum. The Roman Colosseum produced spectacular and blood thirsty shows for the benefit of the 'mob'. The gladiatorial combats and animal exhibitions and combats were expensive to produce. And as the crowd's expectations increased so did the work that was conducted beneath the Great Roman Colosseum.

Beneath the Colosseum - The Spectacular 'Shows'
Beneath the whole area on which the Roman Colosseum were a maze of underground chambers, cells, tunnels and passages. The spectacular productions held in the Colosseum were extremely important to the emperor and high ranking politicians. If the thousands of unemployed Plebs became bored this led to civil unrest and rioting in the streets. The Plebs needed to be amused and the gladiatorial games had to be provided. The cost of the gladiatorial games was born by the Emperors, and therefore the state, and corrupt politicians who sponsored the games to curry favor and support with the 'Mob'. The cost of the gladiatorial games eventually came to one third of the total income of the Empire. The Sponsors of the games expected the highest levels of entertainment. The crowd had to be entertained throughout the whole day. And some of the games lasted for over 100 days. The days events were planned to the strictest timing. Something had to be seen at all times. There were constant changes of events. The hunts and beast fights were initially scheduled for the morning, the executions of prisoners in the afternoon (the more novel the forms of execution the better) and the gladiatorial fights were scheduled for the afternoon / early evening.


Beneath the Colosseum - The Water and Sewage System
The Roman Colosseum held between 50,000 - 80, 000 spectators. The Romans came in their thousands to watch the death of wild animals, criminals, slaves, Christians and gladiators - terrible, gory, bloody deaths. The gruesome ordeals of animals and humans required an adequate sewer system to dispose of these waste products. The massive crowds of spectators at the Colosseum needed to drink - water was a vital necessity in the stifling heat of Rome. Evidence has been found of over 100 drinking fountains in the Colosseum. The crowds and combatants also needed access to toilet facilities.  Beneath the Colosseum, at the lowest level, was a complex Water and Sewer system designed by the best Roman Engineers of the period.

Beneath the Colosseum - The Element of Surprise
Romans loved to be surprised. Novelty 'acts' were applauded. Scenery and costume changes were required. Forests of trees, plants, streams and even mock mountains had to be miraculously produced. The arena had to fill with a whole range of wild animals to different specific timings. Crowd safety had to be considered. Dead bodies of animals, criminals and gladiators had to be disposed of to make room for the next acts. All of these tasks were engineered from beneath the Colosseum.

Beneath the Colosseum - The Hypogeum
The area beneath the Colosseum was called the Hypogeum (meaning underground). The hypogeum consisted of two-level subterranean network of tunnels and 32 animal pens. It had 80 vertical shafts which provided instant access to the arena for animals and scenery. There were 36 trap doors in Arena allowing for elaborate special effects. The atmosphere and smell beneath the Colosseum must have been terrible. The Hypogeum would have had little natural lights so lamps would have burnt continuously. The heat in the Hypogeum must have been almost unbearable. The stench of animals,  the excrement, blood and death would have filled every part of the Hypogeum - both above and beneath the Colosseum must have been 'hell on earth.

The Tunnels beneath the Colosseum - The Tunnels
The bloody arena of the Colosseum was the centre of a complex consisting of various buildings and industries necessary to  run the horrific activities of the arena. There were various underground tunnels that connected the Roman Colosseum to the surrounding buildings.  The Tunnels Under the Colosseum led to:

The Gladiator Schools, the Saniarium was where the wounded gladiators were taken for medical attention and stables where some of the animals were kept

The Spoliarium where the dead bodies of gladiators were stripped of armor and weaponry and the Armamentarium where the weapons were stored

The Tunnels beneath the Colosseum
The Roman Colosseum was used for staging various massive and spectacular events including gladiator fights, wild animal displays, theatrical entertainment, executions, religious ceremonies, mock sea battles and re-playing famous Roman victories. All of these complex shows adhered to critical timings most of which were produced by the slaves working beneath the Colosseum.
                            Seating at the Colosseum

History, Facts and Information about Seating at the Colosseum
The content of this article provides interesting history, facts and information about Seating at the Colosseum. The admission to the Colosseum was free but everyone had to have a ticket. The Colosseum had something that resembled a seating chart. Each ticket was marked with a seat number, a tier number and a sector number which indicated the correct entrance gate. There was no wood used in the seating area of the Colosseum. The seating at the Colosseum consisted of concrete barrel vaulting which held the marble seating that was eventually installed. The seats were made of marble, numbered with lines inscribed on the marble showing the limits of each seat. People sat on wooden planks placed on the marble seats, but the elite were more comfortable: the senators had cushions at first, then chairs (folding stools) called curules (sella curulis). Cushions were accorded to the equites (knights). Marble diagrams with the seating arrangements marked on them were set in the walls by the entrances.

Seating at the Colosseum - the Entrance Gates
There were 76 entrance gate arches in the Roman Colosseum, which were used by the general public. There were also four special un-numbered gates which were the Grand Entrances. The public entrances were numbered providing easy access to the allocated seats. The numbers were set in stone above each of the public entrances, for example the Roman Numerals XXXVIII referred to Gate number 38. The special, un-numbered gates, were used by the magistrates, emperor, wealthy patricians, senators, visiting dignitaries and the Vestal Virgins. The emperor could also access the Colosseum via a richly decorated tunnel which started at the Imperial Palace. Click the following link for more facts and information about the Colosseum Entrances and Exits.
Seating at the Colosseum - The Auditorium (the Cavea)
The auditorium or seating area of the Colosseum was called the cavea which surrounded the central arena. The arena was the area of the Colosseum where the events were held and was separated from the seating areas by a massive wall, faced with marble. A large ditch (euripi) providing even more protection. The cavea was divided into four tiers. Each tier was divided into sections (called the maeniana) by curved passages and low walls (called the praecinctiones), and were subdivided into wedges (called the cunei) accessed via the steps and aisles from the Vomitoria. Each row (gradus) of seats was numbered, permitting each individual seat to be exactly designated by its gradus, cuneus, and number.

Seating at the Colosseum - Social Structure
The Seating at the Colosseum was divided into four main sections containing wedges of seating stretching up and back from the edge of the arena (see the above plan). The areas of seating reflected the social status of the occupant in Roman society. The Patricians and Plebeians were originally the only two classes of Romans but then the Equites or Knights were added. The Equites belonged to the social class that was just below the level of senator,  they had control over administration and finance. Where a person sat in the Colosseum and the style of dress worn marked out immediately to fellow Roman citizens precisely their position in Roman social hierarchy. In c20 BC the Emperor Augustus introduced an edict called the Lex Iulia Theatralis which stipulated the seating arrangement of all the different classes in public places like theatres, amphitheatres and circuses. These rules were enforced all over the Empire and at the same time he also banned women from public spectacles (although this was relaxed later).

Seating at the Colosseum - Tiers of Seating
Each of the four sectors had tiers of seating:

·         The first tier, called the Podium (meaning place of honor), was reserved for the most important Romans - the Emperor, the Vestal Virgins, the important priests and members of the Roman Government including the Roman Senators. The Podium was like a flat platform, or terrace, measuring 15ft wide

·         2nd Tier - Maenianum primum:  This seating was reserved for the non-senatorial noble class called the Equites, or knights consisting of fourteen rows of stone or marble seats

·         3rd Tier was originally reserved for ordinary Roman citizens, the plebeians. Seating was then divided into two sections:

·         Maenianum secundum imum - the better, lower seats for the wealthy plebeians

·         Maenianum secundum summum - the upper seats for the poor plebeians

·         4th Tier - Maenianum summum in ligneis: Consisted of steep wooden seats which were set up in the gallery running around the very top wall of the amphitheatre which were added during the reign of Domitian. This would seat common women. Slaves were strictly forbidden from the Colosseum

·         Standing Room - there was standing room in the top tier and in the aisles. Some groups were banned from the Colosseum including actors, gravediggers and former gladiators

Seating at the Colosseum - The Podium
The podium was a flat marble platform, or terrace, which spanned around the first tier of the arena. The Podium was about 15ft wide. Special boxes were provided at the north and south ends respectively of the podium for the Emperor and the Vestal Virgins. These seats provided the best views of the arena. Seats on the podium were reserved for the most elite Romans including the emperor and royal family, nobles, senators, important priests or visiting dignitaries. The names of some senators can still be seen carved into the stonework of the Colosseum. The senators were allowed to bring their own chairs which they moved about at will. These chairs were in fact stools called curule chairs 'sella curulis'. A curule chair was a stool supported on a cross-frame. The curule chair was traditionally made of ivory with curved legs which formed a wide 'X'. It had no back. It was a stool with low arms. The curule chair could be folded and therefore used as an easily transportable seat.  The podium was spacious and wide enough to take three curule chairs.

Seating at the Colosseum - The Imperial Box, where the Emperor was seated
One of the most repeated question of those visiting the Colosseum is "Where did the emperor sit? The emperor took up a very visible and prominent position which was located on the podium at the centre of the narrower side of the arena on the north side. There is now a cross to remember the Christians that died in the arena. The Roman Emperors sat where the cross is now placed. The elevated imperial box was erected on a platform called the pulvinar which had stairs on one side. The Imperial box was raised above the podium on a dais. There were four columns, each surmounted by a statue of victory which supported a canopy, or awning, over it. The Royal Box was accessed via a tunnel which led to the Imperial palace. The elevated Imperial Box, from which the emperor watched the games, was called the 'cubiculum'. A cubiculum usually referred to a bedroom in a Roman house but it was also applied to the Imperial box as the emperors could recline in the cubicula, instead of sitting on a curule chair (sella curulis). The emperor sat or reclined on a bisellium which was a richly ornamented chair or seat of honor at the games. The bisellium was so called because there was room for two people to sit on, although only one person ever sat there - the Emperor. A total of 42 Roman Emperors witnessed the carnage at the Roman Colosseum.

Specially Reserved Seating at the Colosseum
Some people and institutions that had places specially assigned in the cavea of the Colosseum. These include the tribunes, the religious sector including the Pontifices, the children from the families of the nobility and their teachers.